Stacey Kent

Stacey Kent is an American jazz singer in the mould of the greats, with a legion of fans, a host of honors and awards including a Grammy nomination, album sales in excess of 2 million, more than half a billion streams, Platinum, Double-Gold and Gold-selling albums that have reached a series of chart-topping positions.
Her worldwide fan base is testimony to her ability to cut to the emotional heart of her songs with delicately nuanced interpretations that transcend borders and defy categorization. Her unique multi-lingual repertoire includes originals written by Jim Tomlinson, her saxophonist / producer / composer / arranger husband in collaboration with the Nobel Prize-winning author, Kazuo Ishiguro with whom they have worked since 2006. She has also recorded with Brazilian legends, Marcos Valle, Roberto Menescal and Danilo Caymmi, and the celebrated French string quartet, the Quatuor Ébène.
Her 2021 album Songs From Other Places is a duo project with pianist and long-standing accompanist, Art Hirahara. Exploring the themes of travel and transformation, Songs From Other Places won Stacey the prize for ‘Best Vocal Performance’ at 2022 Jazz Music Awards in Atlanta, Georgia and the ‘Prix Ella Fitzgerald’ at the 2023 Montreal Jazz Festival.
The pared down setting of Songs From Other Places was in contrast to her previous album, I Know I Dream: The Orchestral Sessions (Sony 2017). I Know I Dream won Album of the Year in the vocal category at the 2018 Jazz Japan Awards, achieved certified Gold status, and received glowing reviews, including a coveted five stars in Downbeat. All About Jazz described it as “intoxicating understatement at its finest…one more jewel in a discography with many, it’s one that deserves singling out for its luster.”
Stacey, a comparative literature graduate with a passion for music, travelled to Europe to further her studies after receiving her degree from Sarah Lawrence College in NY. Through a series of twists of fate, she found herself in London where she enrolled in a graduate music program at the Guildhall School of Music and Drama, where she met her future husband and musical partner, Jim Tomlinson.
Kent’s musical journey began with childhood piano lessons. A keen ear and true voice lead her to search out opportunities to express her love of music. However, nothing suggested the shift from the academic path to the one that propelled her to international recognition as one of the foremost jazz singers of her generation. With a catalogue of 13 studio albums, including the Platinum selling, Grammy-nominated Breakfast On The Morning Tram (Blue Note/EMI 2007) and an impressive list of collaborations, Stacey has graced the stages of more than 55 countries over the course of her career.
Kent paid her dues in the jazz clubs of London, before releasing a series of albums for the Candid label, beginning with Close Your Eyes in 1997. Those early albums brought her to the attention of a worldwide audience, resulting in appearances on US television and radio with shows like CBS Sunday Morning and NPR’s All Things Considered. Awards followed, with Stacey winning Jazz Vocalist of the Year at the BBC Jazz Awards. The Boy Next Door (2003) was Stacey’s last Candid release and her first album to achieve Gold status.
During this period, Stacey cemented her reputation as a singer capable of putting a distinctive stamp on an impressive repertoire of standards. Her ability to communicate emotion through a nuanced and minimalist approach was showcased on Jim Tomlinson’s album, The Lyric (Token) which was awarded Album of The Year at the 2006 BBC Jazz Awards. This album brought her to the attention of Blue Note records with whom she signed in 2007. With each successive album, Stacey’s style has become more honed as her artistic outlook has broadened, leading her beyond the Great American Songbook to French chanson and Brazilian music which form an ever-larger part of her repertoire.
Stacey’s repertoire also includes a growing number of songs written for her by Jim Tomlinson with lyricists Cliff Goldmacher, with whom he penned the title song for I Know I Dream and also, most notably, the Nobel Prize-winning author, Kazuo Ishiguro. The idea of performing original compositions came up during a lunch with Ishiguro in 2006. The conversation turned to music, and the idea was hatched to write a series of songs for Stacey that distilled the themes of memory, travel and longing, themes that so frequently surfaced in her repertoire. From this conversation, the songs for Breakfast On The Morning Tram were conceived. Almost overnight, Stacey transformed from being a singer of the Great American Songbook, to a singer with a highly distinctive and personal repertoire. The first collaboration between Ishiguro, the lyricist, and Tomlinson, the composer, The Ice Hotel, won first prize in the jazz category of the International Songwriting Competition. Since then, all of Stacey’s albums have been punctuated by original songs composed by Tomlinson with a variety of lyricists in English, French and Portuguese.
Kent has continued to pursue a frenetic recording and touring schedule. Her first album for Blue Note was followed in 2010 by the Gold-selling, all-French, Raconte-moi which was biggest selling French language album outside of France that year. She was invited to perform an all-French program at the Francofolies Festival and was awarded the Chevalier Dans L’Ordre Des Arts et Des Lettres. Her first live album, Dreamer In Concert (Blue Note/EMI 2011), was followed by The Changing Lights (Warner 2013), which, more than any other album, reveals the ever present influence of Brazil in Stacey’s music. Among French, Italian and German, Stacey also speaks Portuguese. She has toured widely in Brazil and collaborated with many of her heroes including Edu Lobo, Dori and Danilo Caymmi, Roberto Menescal, and most notably Marcos Valle, who invited her to celebrate his 50 years in music on the album, Ao Vivo (Sony 2013). A DVD and documentary of their collaboration and friendship was also released on Sony in 2016.
With Roberto Menescal, Stacey recorded Tenderly (Sony 2015), an intimate collection of standards that showcases her crystalline voice and Menescal’s warm guitar. Jazzwise Magazine referred to the album as “an extremely beautiful meeting of minds” It is Menescal’s only full album as a jazz guitarist and demonstrates the debt he owes to the great Barney Kessel. As Kent’s first standards album in a decade, it shows her increasingly honed and impressive interpretative gifts.
Throughout 2020-2021 with her concert appearances on pause, Stacey remained busy recording from home and staying in touch with her fans through social media. She released several recordings, including Bob Marley’s Three Little Birds and Bill Wither’s Lovely Day, as well as the EP, Christmas In The Rockies (Token 2020). Songs From Other Places was also produced during this time and its mood of quiet contemplation reflects the circumstances of its making.
Stacey’s new studio album, Summer Me, Winter Me, was released in Nov 2023 on Naïve Records. A collection of requests from her as yet unrecorded concert repertoire, Summer Me, Winter Me entered the French jazz charts at number 1 and has quickly established itself as a new highlight in her discography.
Her next album is due for release in autumn 2025.